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Festival darling Wong Kar-wai follows up his critically lauded "Chung King Express" with an even more dazzling technical tour de force in "Fallen Angels." But the multi-threaded tale of Hong Kong.
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Oct 30, 2023. 25. Every frame in Wong Kar-wai's 'Fallen Angels' is a painting brought to life by Christopher Doyle's masterful cinematography. The visual storytelling is amplified by the daring lens choices made throughout the movie, setting it apart from its contemporaries. Christopher Doyle, also known as Dù Kěfēng or Dou Ho-Fung.
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"Fallen Angels" is the latest work from the Hong Kong wild man Wong Kar-Wai, whose films give the same effect as leafing through hip photo magazines very quickly. It's a riff on some of the same material as his "Chungking Express" (1996), about which I wrote, "You enjoy it because of what you know about film, not because of what it knows about life." I felt transported back to the 1960s films.
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Fallen Angels: Directed by Kar-Wai Wong. With Leon Lai, Michelle Reis, Takeshi Kaneshiro, Charlie Yeung. This Hong Kong-set crime drama follows the lives of a hitman, hoping to get out of the business, and his elusive female partner.
Fallen Angels (1995, Wong KarWai) / Cinematography by Christopher Doyle Fallen angel
Fallen Angels is a 1995 Hong Kong neo-noir crime comedy-drama film written and directed by Wong Kar-wai.It features two intertwined storylines—one tells the story of a hitman wishing to leave the criminal underworld (), the prostitute he starts a relationship with (), and his agent, who is infatuated with him (Michelle Reis).The other story is of a mute ex-convict on the run from the police.
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"In Love. The Cinema of Wong Kar Wai." A special collection of seven films from one of the greatest filmmakers of our time: http://mubi.io/wkwTwo tales of cr.
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Wong Kar-wai's films like Chungking Express and In the Mood for Love are highly respected and regarded as some of the best movies ever made.; Fallen Angels, though less recognized, deserves more.
‘Fallen Angels’ นิยาม ‘ความเหงา’ กับหลากหลายการตีความที่ต่างไป THE MOMENTUM
A kaleidoscope of alienation and longing, Wong Kar-wai's 1995 film Fallen Angels remains one of Wong's least discussed and least appreciated films. Of course, compared to the sheer beauty and maturity of his latest work—his intimate In the Mood for Love (2000); his majestic 2046 (2004); even "The Hand" (2004), his relatively brief yet masterful contribution to the omnibus film Eros.
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Synopsis. In this bifurcated crime narrative, a disillusioned hitman attempts to escape from his violent lifestyle against the wishes of his partner, who is infatuated with him, and an eccentric mute repeatedly encounters, then subsequently falls for a depressed woman looking for the prostitute who supposedly stole her ex-boyfriend's affections.
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In collaboration with the Criterion Collection, Wong Kar Wai and L'Immagine Ritrovata spent five years on the 4K restoration of CHUNGKING EXPRESS, FALLEN ANG.
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Wong Kar-wai had conceived Chungking Express and Fallen Angels to be the part of the same trilogy where the latter would be the final part. However, he decided against it and developed on individual elements and themes instead. With Christopher Doyle as a brilliant cinematographer, this film, which was shot mainly at night, is exhilarating due to the manic movement of the cameras that uphold.
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Nonetheless, Wong Kar-Wai still adds an incredible piece of cinema to his filmography. Rated 4.5/5 Stars • Rated 4.5 out of 5 stars 08/17/23 Full Review Read all reviews Post a rating
FALLEN ANGELSWONG KARWAI SAVION GREY Cinematic Photography, Film Photography, Photo
Courtesy of Block 2 Distribution. Along with most films by superstar art house director Wong Kar-wai, Fallen Angels (1995) received a 4K restoration in 2020—and is currently touring theaters worldwide.Envisioned as the third story to the two that form Wong's international breakout Chungking Express (1994), Fallen Angels tells additional tales of hitmen and delinquents in mid-'90s Hong Kong.
In the mood for loneliness and longing How Wong Karwai depicts emotion Far Out Magazine
Lost souls reach out for human connection amid a glimmering Hong Kong in Wong Kar Wai's hallucinatory, neon-soaked nocturne. Originally conceived as a segment of Chungking Express only to spin off on its own woozy axis, Fallen Angels plays like the dark, moody flip side of its predecessor as it charts the subtly interlacing fates of a handful of urban loners, including a coolly detached hit.
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Directed by Wong Kar Wai • 1995 • Hong Kong Starring Michelle Reis, Takeshi Kaneshiro, Leon Lai Ming Lost souls reach out for human connection amid a glimmering Hong Kong in Wong Kar Wai's hallucinatory, neon-soaked nocturne. Originally conceived as a segment of CHUNGKING EXPRESS only to spin off on its own woozy axis, FALLEN ANGELS plays like the dark, moody flip side of its predecessor.
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Of all the Wong Kar Wai films, this is my favorite: Fallen Angels (1995). This film is a further exploration of the unique, lush, inscrutable, yet intuitively sensuous, cinematic aesthetic of Wong Kar Wai (Wáng Jia-wèi). To some extent, in fact, this film represents a further step in Wong's aesthetic progression that was in evidence in his earlier films, As Tears Go By (1988), Days of.
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